Die neunten VIENNA MUSIC BUSINESS RESEARCH DAYS finden in diesem Jahr vom 12. bis zum 14. September an der Universität für Musik und darstellende Kunst Wien statt. Behandelt und diskutiert wird heuer das Thema „Music Life is Live”. Die Wiener Tage der Musikwirtschaftsforschung setzen sich zum Ziel, WissenschafterInnen aus allen Disziplinen und PraktikerInnen aus dem Musikbusiness einmal im Jahr in Wien zu versammeln, um sich über aktuelle Fragen und neueste Ergebnisse der Musikwirtschaftsforschung auszutauschen.
Während die phonografische Industrie in den letzten beiden Jahrzehnten mit starken Umsatzrückgängen zu kämpfen hatte, erfreute sich das Live-Musikbusiness zur gleichen Zeit eines Booms, der sich in steigenden BesucherInnen-Zahlen und immer mehr Veranstaltungen auch messen lässt. Konzerte wurden zur wichtigsten Einnahmequelle für die KünstlerInnen, wodurch das Musikbusiness heutzutage in erster Linie live ist. Unter diesem Titel widmen sich die 9. Vienna Music Business Research Days an der Universität für Musik und darstellende Kunst Wien dem Live-Musiksektor.
Program
Sep. 12th, 2018, 09:00-17:30: Young Scholars’ Workshop
Large Conference Room at the Department of Cultural Management and Gender Studies (IKM), University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Austria
Find the workshop’s program here.
Sep. 13th, 2018, 09:00-18:00: Conference Track Day
Joseph Haydn Hall and Large Conference Room at the Department of Cultural Management and Gender Studies (IKM), University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Austria
The following papers were accepted by the program committee; find the final program here.
Cuadrado-García, Manuel, Juan D. Montoro-Pons & Pablo Gonzalez-Casal (University of Valencia, Spain): Determinants of Music Genres Preference by the Youth: An Exploratory Research
Darias de las Heras, Victoriano (Universidad Internacional de La Rioja, Spain): The Value Gap, YouTube’s Content ID and Antitrust Law
Elen, Maarten, Philippe Haldermans & Jonas Kiesekoms (PXL Music-Research, Hasselt, Belgium): Building a Data Driven System to Predict Concert Ticket Sales
Kolokytha, Olga (University of Vienna, Austria): Graduated Response and the Criminalisation of Consumers, Or How the Creative Industries May Be Infringing Your Rights
Elmar D. Konrad: The Impact of Networking on Success in Music Business
Montoro-Pons, Juan D. & Manuel Cuadrado-García, Brand equity and spillover effects of music festivals
Mulder, Martijn & Erik Hitters (Erasmus University Rotterdam, Netherlands): The Effects of Festivalisation on Value Creation in the Dutch Live Music Industry
Oral, Cansu (IUBH University of Applied Sciences, Germany): Personality, Music Listening Contexts, and Music Genres: A Comparison Between Vinyl Records and Music Streaming Consumption
Poprawski, Marcin (Adam Mickiewicz University Poznan, Poland): Musicians’ Status and Organisational Cultures – Research Reconnaissance
Schreiber, David (Belmont University, Nashville, USA) & Alison Rieple (University of Westminster, London, UK): Aggrandising in the Music Industry: Establishing Legitimacy and Improving Credibility through Identity Construction
Sep. 14th, 2018, 09:00-17:30: Invited Conference Day
Joseph Haydn Hall and Large Conference Room at the Department of Cultural Management and Gender Studies (IKM), University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Austria
09:00-09:15: WELCOME
09:15-09:45: Keynote by Beate Flath (University of Paderborn, Germany): “The Political Economics of Music Festivals”
09:45-11:15: Panel discussion on ” The Political Economics of Music Festivals”: with a short presentation on “Music Festival Conferences as Live Incubators of the Music Industry” by Detlef Schwarte (Reeperbahn Festival Hamburg, Germany) & Carsten Winter (Hanover University of Music, Drama and Media, Germany). Panelists: Axel Ballreich (LiveKomm, Hamburg) Hannah Crepaz (Osterfestival Tirol, Austria), Peter Smidt (Eurosonic Noorderslag Festival, Netherlands), Martin Cloonan (University of Turku , Finland), Detlef Schwarte (Reeperbahn Festival Hamburg, Germany) and moderated by Beate Flath
11:15-11:45: REFRESHMENTS
11:45-12:30: Keynote by Erik Hitters (Erasmus University Rotterdam, Netherlands): “Live Music Ecologies and Value Creation for Musicians, Industries and Cities”
12:30-14:00: LUNCH BREAK
14:00-14:45: Keynote by Berthold Seliger (Konzertagentur Seliger Berlin, Germany): “Empire business or cultural diversity. About the reality of the concert business”
14:45-15:00: SHORT BREAK
15:00-15:45: Keynote by Alan Krueger (Princeton University, USA): “The Economics of the International Live Music Business”
15:45-16:15: REFRESHMENTS
16:15-17:30: Panel discussion “The International Concert and Touring Business” with Jake Beaumont-Nesbitt (International Music Managers Forum, London, UK), Peter Jenner (Sincere Music, London, UK), Fra Soler (Primavera Festival, Spain, invited) moderated by Berthold Seliger (Konzertagentur Seliger, Berlin, Germany)
17:30: Awarding the young scholars’ workshop best paper
20:00: Conference Heuriger (for invited guests)
Registration Fee
The registration fee includes conference attendance, reception, coffee breaks and lunch on conference days as well as the Heurigen-Dinner on September 14, 2018.
Registration fee – early bird (until July 31, 2018): 175,- Euro
Registration fee: 225,- Euro
End of registration (no refund after this date): August 31, 2018
Get your ticket here.
Contact
Dagmar Abfalter (mailto: vmbrdays@gmail.com)
Department of Cultural Management and Gender Studies (IKM)
University of Music and Performing Arts, Vienna
Anton-von-Webern-Platz 1, 1030 Vienna, Austria
Tel.: +43-1-71155-3418 / Fax: +43-1-71155-3499