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UID:22708@musicaustria.at
DTSTART;TZID=Europe/Vienna:20261016T193000
DTEND;TZID=Europe/Vienna:20261016T193000
DTSTAMP:20260903T084714Z
URL:https://www.musicaustria.at/veranstaltungen/text-im-klang-7-premieres-
 of-impuls-composition-commissions/
SUMMARY:Text im Klang #7 // Premieres of impuls composition commissions
DESCRIPTION:\n\nPremieres of impuls composition commissions\nKlaus Kastberg
 er Introduction to the work of Friederike Mayröcker\n\n\n\n\n\n\nLuca Bar
 delle zweisam . principles of magic (i) (2026\, world premiere)\n\nForrest
  Moody in einem nu usw. (2026\, world premiere)\n\nDilay Doğanay nicht me
 hr nicht wieder (2026\, world premiere)\n\nJoanna Wozny im Gehäuse des Sc
 hlafes die weiszen Vögel (2026\, world premiere)\n\n&nbsp\;\n\n&nbsp\;\n\
 nSchallfeld Ensemble\n\nZinajda Kodrič flute\n\nArnold Plankensteiner cl
 arinet\n\nPatrick Skrilecz piano\n\nLorenzo Derinni violin\n\nMyriam Garc
 ía Fidalgo cello\n\n\n\n\n\n\n\n\n\n„Text im Klang" is already looking 
 forward to its 7th edition in 2026. From the very beginning\, the project 
 has seen itself as a laboratory\, where medial interlacings with a focal p
 oint on impulses are put into practice. In specific\, literary texts as we
 ll as the active exchange between composer and author hereby provide the i
 nitial impulses for new compositions. The intention of the project hereby 
 does not pursue a classical setting such as words to music\, nor a simple 
 translation of the words with voices\, nor tonal representations of the te
 xts – what is called for is rather texts functioning as movens with thei
 r\, for example\, rhythmic and syntactic qualities\, in its tonal colorati
 on\, its timbre\, in its atmospheric or thematic density\, as semantic abu
 tment\, ... Hereby the experimental setup of „Text im Klang" has always 
 been slightly modified throughout the years: in 2014 and 2016\, preselecte
 d texts by various Austrian authors served the composers in various pairin
 gs as a source of inspiration\; in the performances\, music and text were 
 sometimes intertwined\, the latter read by actors or the authors themselve
 s\, sometimes being integrated directly in the composition itself live or 
 e.g. as an edited or processed recording. In 2018 in turn\, the focus for 
 all composers was put on one specific short text\, in 2020\, both text and
  music were created from scratch on a jointly developed theme. In 2022 Fer
 dinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the star
 ting point for the new compositions\, which partly included fragments of t
 he text both in acoustic and visual ways aside from other parts being read
  by the author\, and in 2024 Elfriede Jelinek agreed that any of her numer
 ous texts could function as impulse and starting point for new musical wor
 ks\, which that time were written for the very classical line-up of Schube
 rt´s Forellenquintett.\n\n&nbsp\;\n\nLike in former years\, with Schallfe
 ld Ensemble also the musicians of course play an important role in the pro
 ject\, being included in the process from the very beginning and standing 
 in close connection specially with the composers for the realization of th
 eir new works. Throughout the different editions Schallfeld Ensemble has h
 ereby presented itself in various line-ups.\n\n&nbsp\;\n\nIn 2026 five yea
 rs will have passed since the death of one of the Grandes Dames of Austria
 n literature\, Friederike Mayröcker. With unwavering curiosity\, she work
 ed until the very end on a multi-award-winning body of work comprising ove
 r 120 books — with numerous references to music\, visual arts\, philosop
 hy\, and poetry. Its magic\, visual power\, and poetic radicalism had a de
 cisive influence on German-language literature. Klaus Kastberger\, who has
  worked and published on her oeuvre\, accompanies the project as an interm
 ediary to the writer and her literary work as well as to her musical prefe
 rences\, giving an introduction also at the day of the premieres. Once mor
 e „Text im Klang“ offers a dramaturgically coherent program on October
  16th\, and concludes the following day with an open brunch\, allowing ref
 lections on the overall process of the project and an exchange with the au
 dience on their impressions.\n\nInfo\n\n\n\n
CATEGORIES:Events
LOCATION:Palais Meran\, Leonhardstraße 15\, Graz\, Steiermark\, 8010\, Ös
 terreich
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